Major tonic color
A stable major-family sound used on tonic and other diatonic major functions.
Jazz guitar harmony becomes manageable when 7th chords, voicings, function and voice leading are learned together instead of as an endless list of shapes.
Maj7, m7, dominant 7 and m7♭5 cover a large part of standard jazz harmony. Diminished and altered dominant sounds then expand the vocabulary.
A stable major-family sound used on tonic and other diatonic major functions.
Common on ii, vi and modal minor-family situations.
Carries strong tension and often points toward a target chord or tonic.
Shell voicings focus on the chord tones that define quality and function. They are compact, easy to move and leave room for a bass player, melody or later extensions.
The 3rd and 7th define much of the chord’s functional identity.
In ensemble playing, the root may already be supplied by the bass.
9ths, 11ths and 13ths make more sense once the functional skeleton is clear.
In a major key, ii–V–I moves from predominant to dominant to tonic. Practice several voicing paths and watch the 3rds and 7ths resolve.
Predominant function prepares the dominant.
Dominant tension points strongly toward the tonic.
Tonic resolution provides harmonic arrival.
Jazz chords often include 9ths, 11ths and 13ths. Treat them as controlled color notes around a clear chord function and a playable voice-leading path.
Often adds openness without changing basic chord function.
Can create useful suspended or modal color depending on chord quality.
A common way to enrich dominant and major-family voicings while controlling the top voice.
Use the concepts here as a starting point, then open the matching ChordRevelation view to test the harmony in context.
Start with maj7, m7, dominant 7 and m7♭5 shapes, then use them in ii–V–I progressions. Shell voicings are especially useful because they make harmonic function easy to hear.
A shell voicing uses a reduced set of important chord tones, commonly the root, 3rd and 7th or just guide tones when the root is supplied elsewhere.
It clearly expresses predominant, dominant and tonic function and appears in many standards, turnarounds and reharmonized progressions.
Open the matching view in ChordRevelation, change the key, compare voicings and see the relationships on the fretboard.