Root
Names the chord.
The m7b5 or half-diminished chord has the formula 1–b3–b5–b7. In jazz it commonly appears as iiø7 leading to V7 in a minor key.
Flatten the third, fifth and seventh relative to a major scale root.
Names the chord.
Creates minor quality.
Gives the chord its unstable color.
Completes the half-diminished seventh structure.
The chord prepares a dominant that resolves to a minor tonic.
Leads strongly into V7.
Often takes added tension in minor-key jazz.
Receives the resolution.
Compact shapes make the function easy to hear.
Preserve the interval that distinguishes m7b5 from m7.
Useful for inversion practice.
Possible when bass establishes the root.
Use these answers as a reference, then explore the relationships interactively.
A minor seventh flat five chord, also called half-diminished, with the formula 1–b3–b5–b7.
Most commonly as the iiø7 chord in a minor ii–V–i progression.
No. m7b5 has a minor seventh, while diminished 7 has a diminished seventh.
Change the key, compare voicings, follow voice leading and see the same idea directly on the fretboard.