Pentatonic & blues
Minor Pentatonic, Major Pentatonic and Blues are compact, practical sounds with strong guitar vocabulary.
Use scales as harmonic material connected to chords, progressions and fretboard positions — not as isolated finger patterns.
ChordRevelation treats scale choice as a relationship between chord formula, function and target — not as a root-name lookup.
Minor Pentatonic, Major Pentatonic and Blues are compact, practical sounds with strong guitar vocabulary.
Major, Natural Minor, Harmonic Minor and Melodic Minor organize large parts of tonal and jazz harmony.
Ionian through Locrian describe seven modal views of the major-scale pitch collection.
Diminished, Whole Tone and Altered scales supply more specialized dominant and tension material.
Keep chord tones visible, compare overlays and practice toward the next chord instead of running patterns without a harmonic destination.
Open Play Over from the actual chord you want to improvise on.
Hear how two compatible scales color the same chord differently.
Add more than one scale overlay and compare common tones, chord tones and tensions.
The interval formula is the starting point; Play Over provides the real harmonic context.
Scale families rather than one formula
Connect the interval formula to chord tones and real harmonic context, then compare positions on the fretboard instead of memorizing a single box.
No. Scale choice depends on chord quality, harmonic function, key context and the next target chord, not only the root name.
Open the approach on the fretboard, compare chord tones with tensions, keep multiple overlays visible and use the next chord as the resolution target.