Major / Maj7
Ionian, Major Pentatonic and Lydian are common families; function decides the ranking.
The same chord quality can support different scales in different progressions. ChordRevelation treats scale choice as a context problem: chord formula first, then function, key and target chord.
ChordRevelation treats scale choice as a relationship between chord formula, function and target — not as a root-name lookup.
Ionian, Major Pentatonic and Lydian are common families; function decides the ranking.
Dorian, Aeolian, Minor Pentatonic and Blues can all be valid in different contexts.
Mixolydian, Minor Pentatonic, diminished and Altered options create very different tension levels.
Locrian-family, Diminished and Whole Tone approaches connect to their specific chord structures.
Keep chord tones visible, compare overlays and practice toward the next chord instead of running patterns without a harmonic destination.
Identify 3rd, 5th and 7th quality before choosing a scale.
Dm7 as ii in C is not the same improvisational problem as Dm7 as i in D minor.
Use the next voicing as the destination for tensions and guide-tone motion.
The interval formula is the starting point; Play Over provides the real harmonic context.
Choose by chord family + harmonic context, not root name alone
Connect the interval formula to chord tones and real harmonic context, then compare positions on the fretboard instead of memorizing a single box.
No. Scale choice depends on chord quality, harmonic function, key context and the next target chord, not only the root name.
Open the approach on the fretboard, compare chord tones with tensions, keep multiple overlays visible and use the next chord as the resolution target.