m7♭5 / ø
The scale contains 1, ♭3, ♭5 and ♭7.
Locrian is the major-scale mode with both a minor 3rd and diminished 5th. Those tones directly connect it to half-diminished / m7♭5 harmony.
ChordRevelation treats scale choice as a relationship between chord formula, function and target — not as a root-name lookup.
The scale contains 1, ♭3, ♭5 and ♭7.
Locrian-family material is a natural starting point over iiø before a dominant resolves to minor tonic.
The ♭2 can be altered to natural 2 in other half-diminished systems, so harmonic context matters.
Keep chord tones visible, compare overlays and practice toward the next chord instead of running patterns without a harmonic destination.
Hear 1, ♭3, ♭5, ♭7 before filling in the scale.
Move from iiø material into the dominant and then the tonic.
Hear how changing ♭2 to 2 softens the mode.
The interval formula is the starting point; Play Over provides the real harmonic context.
1–♭2–♭3–4–♭5–♭6–♭7
Connect the interval formula to chord tones and real harmonic context, then compare positions on the fretboard instead of memorizing a single box.
No. Scale choice depends on chord quality, harmonic function, key context and the next target chord, not only the root name.
Open the approach on the fretboard, compare chord tones with tensions, keep multiple overlays visible and use the next chord as the resolution target.