Root
Harmonic anchor.
The dominant 7 chord combines a major triad with a minor seventh. Its 3rd and b7 create strong tension and clear resolution tendencies.
The quality is defined by the major third and minor seventh.
Harmonic anchor.
Creates major quality and dominant guide tone.
Often optional in compact voicings.
The other key guide tone.
In V7 → I, the 3rd and b7 usually resolve by small intervals.
Often rises to the tonic.
Often falls by step to the 3rd of I.
V root moves strongly toward I.
9ths, 13ths and altered tensions can all sit on top of a dominant shell.
Works in many dominant contexts.
Often paired with 9.
Useful when stronger dominant tension is desired.
Use these answers as a reference, then explore the relationships interactively.
A dominant 7 chord has the formula 1–3–5–b7.
Its guide tones contain stepwise tendencies that lead into stable tones of the tonic chord.
Yes. Blues often treats dominant 7 quality as a stable color on I, IV and V rather than only as classical dominant function.
Change the key, compare voicings, follow voice leading and see the same idea directly on the fretboard.