Augmented triad
1, 3 and ♯5 are built directly into the collection.
The Whole Tone scale is built entirely from whole steps, producing a six-note symmetrical sound with no perfect 5th and no semitone leading tone.
ChordRevelation treats scale choice as a relationship between chord formula, function and target — not as a root-name lookup.
1, 3 and ♯5 are built directly into the collection.
The scale supports dominant harmony where the raised 5 is part of the sound.
Symmetry weakens a single tonal direction, which can be useful before a strong resolution.
Keep chord tones visible, compare overlays and practice toward the next chord instead of running patterns without a harmonic destination.
Hear the augmented triad before adding the rest of the scale.
Because the scale is symmetrical, use the next chord to define where the line is going.
Both can work on tense dominant sounds, but their available 5ths and tensions differ.
The interval formula is the starting point; Play Over provides the real harmonic context.
1–2–3–♯4–♯5–♭7
Connect the interval formula to chord tones and real harmonic context, then compare positions on the fretboard instead of memorizing a single box.
No. Scale choice depends on chord quality, harmonic function, key context and the next target chord, not only the root name.
Open the approach on the fretboard, compare chord tones with tensions, keep multiple overlays visible and use the next chord as the resolution target.