Major-key harmony
Stacking thirds on each degree produces I, ii, iii, IV, V, vi and vii° chord families.
The major scale is the reference system for interval names, diatonic chords and the seven modes. Understanding it as degrees makes transposition much easier.
ChordRevelation treats scale choice as a relationship between chord formula, function and target — not as a root-name lookup.
Stacking thirds on each degree produces I, ii, iii, IV, V, vi and vii° chord families.
Ionian is the major scale itself; Dorian through Locrian can be viewed as rotations of the same pitch collection.
Across a diatonic progression, one major scale can describe the common key while chord tones define each moment.
Keep chord tones visible, compare overlays and practice toward the next chord instead of running patterns without a harmonic destination.
Always know 1 through 7, not only note names.
See how 1–3–5, 2–4–6 and the other stacked-third combinations become diatonic chords.
Connect positions while keeping scale degrees visible.
The interval formula is the starting point; Play Over provides the real harmonic context.
1–2–3–4–5–6–7
Connect the interval formula to chord tones and real harmonic context, then compare positions on the fretboard instead of memorizing a single box.
No. Scale choice depends on chord quality, harmonic function, key context and the next target chord, not only the root name.
Open the approach on the fretboard, compare chord tones with tensions, keep multiple overlays visible and use the next chord as the resolution target.