Minor blues
The scale sits naturally over minor-blues harmony.
The blues scale adds the ♭5 to Minor Pentatonic. That extra chromatic tone is usually expressive motion rather than a note that must be held equally against every chord.
ChordRevelation treats scale choice as a relationship between chord formula, function and target — not as a root-name lookup.
The scale sits naturally over minor-blues harmony.
Same-root blues vocabulary creates deliberate friction against dominant 3rds.
The ♭5 often works best as a passing or bending destination between 4 and 5.
Keep chord tones visible, compare overlays and practice toward the next chord instead of running patterns without a harmonic destination.
Treat the ♭5 as expressive tension and hear where it wants to move.
Keep one blues vocabulary but change target chord tones as the progression moves.
Toggle the extra ♭5 on and off to hear exactly what the blues scale adds.
The interval formula is the starting point; Play Over provides the real harmonic context.
1–♭3–4–♭5–5–♭7
Connect the interval formula to chord tones and real harmonic context, then compare positions on the fretboard instead of memorizing a single box.
No. Scale choice depends on chord quality, harmonic function, key context and the next target chord, not only the root name.
Open the approach on the fretboard, compare chord tones with tensions, keep multiple overlays visible and use the next chord as the resolution target.