Keep it
If two chords share a note, one voice can remain still.
Voice leading is the movement of individual notes from one chord to the next. Good voice leading often keeps common tones and moves other voices by the smallest useful interval.
Two chord diagrams can be harmonically correct but connect very differently.
If two chords share a note, one voice can remain still.
Semitone and whole-tone movement often sounds connected.
Different voices can move in opposite directions.
The same chord in a new inversion can produce a better path.
The fretboard gives several places to play the same chord, so voice leading becomes a voicing-choice problem.
Three-note shapes expose movement.
3rds and 7ths show strong resolution tendencies.
Change bass and register without changing chord identity.
Voice leading becomes obvious when you stop hearing the chord as one block.
Follow the highest voice through the progression.
Track root and inversion movement.
Listen for common tones and semitone resolutions.
Use these answers as a reference, then explore the relationships interactively.
It is the way individual notes move from one chord to the next.
Because the guitar offers many voicings for the same chord, and choosing nearby ones can make a progression smoother and easier to play.
Not always. Small movement is a useful principle, but musical direction, register and melody can justify larger moves.
Change the key, compare voicings, follow voice leading and see the same idea directly on the fretboard.